Satie, Erik: Ogives /
Gymnopédies (urtext)

95kr

Finns i lager

Artikelnr: BA10806


Beskrivning

·
 
Vorwort
 
·
Composer / Author:
Schleiermacher, Steffen
Hinweise zur Aufführungspraxis
 
·
 
Preface
 
·
Composer / Author:
Schleiermacher, Steffen
Notes on Performance Practice
 
·
Composer / Author:
Satie, Erik
Ogives:
 
·
Composer / Author:
Satie, Erik
Ogive I
 
·
Composer / Author:
Satie, Erik
Ogive II
 
·
Composer / Author:
Satie, Erik
Ogive III
 
·
Composer / Author:
Satie, Erik
Ogive IV
 
·
Composer / Author:
Satie, Erik
Gymnopédies:
 
·
Composer / Author:
Satie, Erik
1ère Gymnopédie
 
·
Composer / Author:
Satie, Erik
2ème Gymnopédie
 
·
Composer / Author:
Satie, Erik
3ème Gymnopédie
 
·
 
Critical Commentary


Satie‘s “Ogives” und Gymnopédies” are milestones in the history of modern music. The four metrically free “Ogives” (meaning pointed arches) reflect the influence of the French New Gothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three “Gymnopédies” proceed with a swaying, chordal momentum, and Satie’s radically sparse writing makes ironic reference to the dance of young warriors in ancient Sparta during gymnopaedia rituals.

The pieces are easy to play and are ideal for teaching purposes. Information on performance practice by Satie specialist Steffen Schleiermacher offer insight into Satie’s music aesthetics.

- Urtext edition based on all sources and current scholarship
- Easy to play
- Ideal for teaching purposes
- With practical suggestions for performance (Eng/Ger)
- With an informative foreword (Eng/Ger) and critical commentary (Eng)

Satie, Erik: Ogives / Gymnopédies (urtext)

95kr

Finns i lager

Artikelnr: BA10806


Beskrivning

·
 
Vorwort
 
·
Composer / Author:
Schleiermacher, Steffen
Hinweise zur Aufführungspraxis
 
·
 
Preface
 
·
Composer / Author:
Schleiermacher, Steffen
Notes on Performance Practice
 
·
Composer / Author:
Satie, Erik
Ogives:
 
·
Composer / Author:
Satie, Erik
Ogive I
 
·
Composer / Author:
Satie, Erik
Ogive II
 
·
Composer / Author:
Satie, Erik
Ogive III
 
·
Composer / Author:
Satie, Erik
Ogive IV
 
·
Composer / Author:
Satie, Erik
Gymnopédies:
 
·
Composer / Author:
Satie, Erik
1ère Gymnopédie
 
·
Composer / Author:
Satie, Erik
2ème Gymnopédie
 
·
Composer / Author:
Satie, Erik
3ème Gymnopédie
 
·
 
Critical Commentary


Satie‘s “Ogives” und Gymnopédies” are milestones in the history of modern music. The four metrically free “Ogives” (meaning pointed arches) reflect the influence of the French New Gothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three “Gymnopédies” proceed with a swaying, chordal momentum, and Satie’s radically sparse writing makes ironic reference to the dance of young warriors in ancient Sparta during gymnopaedia rituals.

The pieces are easy to play and are ideal for teaching purposes. Information on performance practice by Satie specialist Steffen Schleiermacher offer insight into Satie’s music aesthetics.

- Urtext edition based on all sources and current scholarship
- Easy to play
- Ideal for teaching purposes
- With practical suggestions for performance (Eng/Ger)
- With an informative foreword (Eng/Ger) and critical commentary (Eng)

Satie, Erik: Ogives / Gymnopédies (urtext)

95kr

Finns i lager

Artikelnr: BA10806

Visat 32 gånger


Beskrivning

·
 
Vorwort
 
·
Composer / Author:
Schleiermacher, Steffen
Hinweise zur Aufführungspraxis
 
·
 
Preface
 
·
Composer / Author:
Schleiermacher, Steffen
Notes on Performance Practice
 
·
Composer / Author:
Satie, Erik
Ogives:
 
·
Composer / Author:
Satie, Erik
Ogive I
 
·
Composer / Author:
Satie, Erik
Ogive II
 
·
Composer / Author:
Satie, Erik
Ogive III
 
·
Composer / Author:
Satie, Erik
Ogive IV
 
·
Composer / Author:
Satie, Erik
Gymnopédies:
 
·
Composer / Author:
Satie, Erik
1ère Gymnopédie
 
·
Composer / Author:
Satie, Erik
2ème Gymnopédie
 
·
Composer / Author:
Satie, Erik
3ème Gymnopédie
 
·
 
Critical Commentary


Satie‘s “Ogives” und Gymnopédies” are milestones in the history of modern music. The four metrically free “Ogives” (meaning pointed arches) reflect the influence of the French New Gothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three “Gymnopédies” proceed with a swaying, chordal momentum, and Satie’s radically sparse writing makes ironic reference to the dance of young warriors in ancient Sparta during gymnopaedia rituals.

The pieces are easy to play and are ideal for teaching purposes. Information on performance practice by Satie specialist Steffen Schleiermacher offer insight into Satie’s music aesthetics.

- Urtext edition based on all sources and current scholarship
- Easy to play
- Ideal for teaching purposes
- With practical suggestions for performance (Eng/Ger)
- With an informative foreword (Eng/Ger) and critical commentary (Eng)